“Ibn Ajiba is one of the most extraordinary spiritual intellectuals Morocco has ever produced- in these two short treatises he attempts to explain the relationship of the creation to the creator”
- Hamza Yusuf
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“The thing that deserves to be loved most is that which brings forth the from the depths of our spirits the recollection of the Divine Name. The title of the Holy Prophet of Islam is Habib Allah, the beloved of God. This hub, this love for the Prophet (PBUH) could be described as the great transformative emotion of Islam”.
-Abdal Hakim Murad
“This tree was blessed with the touch of the Messenger of God (PBUH)”
-Shaykh Al-Habib Ali Al-Jifri
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The Mawlana Rumi Review publishes articles, reports, review articles and book reviews in English and French. The editor welcomes articles on Rumi’s art of story-telling, poetic imagery, theology, spiritual psychology, ecumenism, erotic spirituality, pedagogy, hermeneutics, ethics, epistemology, prophetology, metaphysics, and cosmology, as well as on the heritage of Rumi’s thought in modern and medieval literary history and interpretation and commentary on his works such as the Mathnawi and Divan-i Shams-i Tabriz.
The Mawlana Rumi Review is edited by Dr Leonard Lewisohn (Lecturer in Persian, IAIS) in coordination with an international team comprising five Assistant Editors:
Dr Leili Anvar-Chenderoff (INALCO, Paris),
Professor Franklin Lewis (University of Chicago, Illinois),
Professor James Morris (Boston College, Massachusetts),
Dr Shahram Pazouki (Tehran University), and
Dr Muhammad Isa Waley (British Library UK)
The review is served by an Advisory Council consisting of:
The Poetry Editor is Professor Paul Losensky (Indiana University).
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Matmedia Productions’ best selling classic, Al-Ghazali: The Alchemist of Happiness, featuring Robert Powell as the voice of Al-Ghazali, is an 80 minute dramatised documentary available now on DVD with special bonues features including an additional full length interview with Shaykh Hamza Yusuf (Zaytuna Institute) and Dr. Karim D. Crow (IAIS).
The film is a remarkable achievement, capturing not only the drama of Ghazali’s life and the texture of the world in which he lived, but also skilfully distilling the significance of major themes in his writings. This is no small feat: the art of dramatizing ideas. I cannot wait to show it in my courses on Medieval Muslim Thought. – Farouk Mitha, University of Victoria, Canada
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